Suraj Berry, son of veteran actor Sudesh Berry, is carving his own space in the industry with a mix of television, film, and digital projects. Having grown up watching the craft up close, Suraj is deeply aware of how storytelling evolves with time. Today, he finds himself fascinated by the rise of micro-dramas — the 60–90 second emotional capsules that have taken over social media platforms.
“Normal dramas can take minutes or even hours to set up a world and let emotions unfold,” Suraj shared. “A micro-drama doesn’t give you that luxury. You are dropped straight into the heart of conflict. It’s a snapshot of a bigger world, told through one emotional beat. Every second counts.”
He pointed out how implication replaces exposition. “A single line like ‘You chose her over me again’ tells you about relationships, history, and pain in an instant. That’s the challenge and beauty of this format.”
According to Suraj, micro-dramas demand precision. “You skip introductions. You start mid-argument, with tension already in the air. Dialogue must suggest backstory instead of explaining it. Close-ups on faces, a torn photo, or a phone screen — these become storytelling tools. You have to create impact in seconds.”
Suraj sees micro-dramas as a gift for fresh talent. “For actors, it’s the quickest way to showcase range. In under a minute, you can demonstrate raw emotion and timing. Writers learn economy of words — how to say so much in so little. Directors get a playground to experiment with mood, cuts, and framing without needing big budgets. It’s a stepping stone and a showcase.”
Unlike traditional shows or films, micro-dramas reach audiences instantly. “The feedback loop is quick. If it works, it goes viral overnight. That visibility can change careers. Of course, the flip side is criticism comes equally fast. But that’s part of growth — it keeps you grounded and teaches you what truly connects.”
For Suraj, micro-dramas aren’t a passing trend. “They won’t replace cinema or television, but they’ll definitely become mainstream in their own way — like music videos or short stories. People are already addicted to snackable, high-impact content. Micro-dramas fit perfectly into that habit.”
For Suraj, it all comes back to emotion. “If the story has heart, even 60 seconds are enough to move someone. That’s what excites me most about this format.”
